Three Colours: Brown

What a load of old bobbins Trois couleurs: Rouge was. A bit of a disappointment all round really. Maybe we would have been better off listening to randomly named Brit punkers 3 Colours Red instead.

We are at odds with the critical community on this one, so maybe these two links will illuminate matters a wee bit. Of course, it could be just that the film was a bit on the shit side.

The New York Times

The Film Journal (opening quote unwittingly nails the problem I reckon…)

Here’s how the votes broke down.

Campbell 3

Emma 4

James 4

Kate 4

Matt 3

Nat 5

“That is one nutty hospital”

tootsie-image.jpg

It’s been on the horizon for quite some time, but finally we got to spend nearly two hours in the company of Michael Dorsey / Dorothy Michaels. And very well it did too, sliding effortlessly into our top ten.  

Some thoughts on the last scene here, and a great recap here. And a drinking game for the hardened Tootsiephile here.

And the scores broke down like this:

Campbell 9

Emma 6.5

James 9.5 

Kate 7

Matt 7.5

Nat 7

Final score: 7.8

Facts Amazing!

Phew. So, we’ve come to the end of round 4. And, for funs, I’ve been analysing the scores to see what we can learn from having watched 29 films over the past year and a wee bit. Let’s get our percentages on (albeit rounded). Rock n’ roll.

First of all, where are the films from?
USA: 72% Average score: 6.1
France: 7% Average score: 7.7
Germany, Spain, Japan, Britain, Australia and Sweden: 3% each
Average score 6.9
When are they from?
1950s: 7% Average score: 6.8
1960s: 3% Average score: 7.2
1970s: 10% Average score: 6.2
1980s: 34% Average score: 6.3
1990s: 14% Average score: 7.2
2000s: 31% Average score: 6.6

How long are the films?
< 90 mins: 10% Average score 6.4
90-99 mins: 38% Average score 6.7
100-109 mins: 34% Average score 6.6
> 110 mins: 17% Average score 6.4

Well, we know how we ranked them, but how do our scores compare with the iMDb scores as of today, June 21st?
1. Strangers on a Train 8.3
2. Lola Rennt 8.1
2. Die Hard 8.1
4. Mysterious Skin 8.0
5. Les Parapluies de Cherbourg 7.9
5. Rocky 7.9
7. Lilja4-ever 7.8
7. Do The Right Thing 7.8
9. Rushmore 7.7
10. Le Diner de Cons 7.6
10. Kramer vs. Kramer 7.6
10. When Harry Met Sally 7.6
10. Abigail’s Party 7.6
10. Zatoichi 7.6
10. Kiss Me Deadly 7.6
16. La Mala Educacion 7.5
16. Me And You And Everyone We Know 7.5
18. After Hours 7.4
18. Punch Drunk Love 7.4
20. The Fly 7.2
20. Beverly Hills Cop 7.2
22. Japanese Story 7.0
23. Mean Girls 6.9
23. Safe 6.9
25. Fletch 6.6
25. Scrooged 6.6
27. CSA 6.5
28. Pretty In Pink 6.3
29. DeepStar Six 3.8
Can we now somehow work out what are the perfect conditions for a film club high score and somehow use that information to make our choices? I’m thinking French films of the 1990s stand are looking like a good bet, so I say we try and get this into Round 5 at some point.
Also, Bill Murray seems to be the only person to crop up in more than one Film Club film. A bag of Maoams to anyone who can find any others!

Be A Thinker, Not A Stinker

Ah, wise words there from Carl “Get a stew goin’” Weathers, and in many ways it tells the story of our last few FC offerings. Okay, I won’t abbreviate Film Club again, it does look creepy. Anyway, since we were last gathered around the warming glow of this here blog, we’ve had our fair share of stinkers and thinkers, ranging from the deliberately shoddy Deepstar Six, to the purposefully Spanish Bad Education. Gracias Pedro, you’re all right by me, and more importantly there’s something of a G8 gathering at the top spot there, we should be careful a North Korean film doesn’t storm in with a 9 and annihilate the lot of ‘em.

Back & Forth. Forever.

If a picture paints a thousand words then my favourite one here is “poop”. Kate and Matt, look what you missed. Film club merchandise available here. Shout out to The Sizzler. Keep your fingers crossed for Team Coleman tonight at BAFTA, if the Academy can finally pony up an Oscar for Marty, surely it’s our time to shine, shine like stars. Shine so bright, like the stars that we are. Aswad!

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