Only Jules and (W)Hor(e)ses

Well Film Club 50 is but a fading memory, but what japes were had. To recap:

A sighting of none other than Ian Ball, a spectre hanging over Film Club particularly in its Vauxhall/Stockwell heavy phase.

The smooth Howard Moon.

Take away espressos (I was awake all night in the end).

Crayfish in a martini glass. A girl’s starter if ever I saw one.


A disappointing film, particularly after a promising first 20 minutes that somehow made me actually angry. I thought it was going to be a seriousish inspiration to Je T’Aime John Wayne. What we got was milksops, mysogyny and moody mental Moreau. Boo, I say. Boo.

Anyway, I’ll spare you my vitriol and possible spoilers and get right on to them scores.

Campbell 4

Emma 5

James 7

Kate 6

Lou 5

Nat 5

That makes an average of 5.3

Our track record of French movies has definitely taken a dip after this and Trois couleurs: rouge. It’s time to wheel out the big guns if Truffaut can’t get us going.


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